Antichità Bologna are items that span the timeline of human civilizations. They include art and relics from classical antiquity, prehistory and the ancient Near East and range from Greek sculpture to medieval manuscripts.

Dealers of antiques must perform due diligence in order to ensure that their merchandise is not faked or stolen. This includes checking against a database of lost or stolen objects and using their own connoisseurship to uncover suspicious items.
Whether it’s fine art, antique furniture or collectables, a passion for the past fuels the pursuit of these valuable objects. Antiques can be found at garage and yard sales, estate auctions, resort towns with antique districts or collectors’ clubs. They can be bought to use or resell for profit.
Unlike new items that depreciate over time, antiques often increase in value, making them a popular investment. Some people also buy antiques to add character to their homes or as gifts for loved ones. The term antique is a broad one and can encompass anything from an ancient stone tool to a piece of 19th century mahogany furniture. It can even include a modern item that has been painted or distressed to look antique.
An expert who specializes in identifying, selling or caring for antiques is an antiquarian. The word has been used since the 17th century, when antiquarians were interested in collecting works of art and objects from the ancient world. Today’s antiquarians are often considered art dealers, as they sell both contemporary and antique pieces of art and furniture.
Susan and Julie are both art historians and antique enthusiasts. They have created a shop where you can spend hours shopping, chatting and learning. It’s a true gem in the heart of the Whiteface Region.
Under founding editor Isolde Motley, and later under editor Jeff Schaire, Art & Antiques was a weekly magazine that broke important news in the antiques trade while offering an array of articles on the arts and decorative arts. Art & Antiques was among the first to focus on major collectors, a tradition that continues to this day in other publications.
Authenticity
Authenticity is a term that describes something as genuine, true, or original. Authenticity is especially important when it comes to art or antiques, since they may be worth a lot of money if they are authentic. For example, if an antique ring was once worn by Marie Antoinette, then it would be very valuable. It is important that the ring is real, and that it has been authenticated by experts.
During the 14th century, there was a boom in collecting antiquities, fueled by the discovery of such treasures as the Rosetta Stone and the Elgin Marbles. By the end of the 16th century, this enthusiasm had waned, but a new collector’s movement emerged, spurred by scholarly publications such as Cao Zhao’s Geguyaolun (1388; “Essential Criteria for the Purchase and Collection of Antiquities”). By the 17th century, it was fashionable to have an extensive collection of antiquities, which could be displayed in a private library or study.
In recent years, the idea of authenticity has become a prevalent topic in philosophical discussions, particularly regarding ethics and social life. For example, some scholars have argued that authenticity is a virtue, and that it is a means to achieve other moral goods like autonomy and self-direction.
Others have been critical of the idea of authenticity, arguing that it is often based on faulty assumptions about human nature. They have suggested that the dichotomies it promotes, such as conformity versus individualism, or self-directedness versus other-directedness, are misleading.
The Department of Antiquities has internationally renowned archaeological collections from the ancient Near East, Mesopotamia, Ancient Egypt and Sudan, Classical Greece, Cyprus, Minoan Aegean, and the Roman world. It also holds the Museum’s Founding Collection and historic archives. Please note that the Department’s Reading Room is closed from August to September 2025, as it embarks on a major collections project.
London
Despite geopolitical shifts, the world’s longest-established, most advanced and highly-regulated antiquities trade continues to thrive in London. The trade is a forward-thinking organisation, constantly updating its codes of practice and collaborating with museums and institutions on research, conservation and education. By purchasing antiques from a reputable dealer you are assisting in the preservation of heritage that otherwise would be lost and providing vital funds to the trade.
The first settlers of this cosmopolitan city began to form their own culture and develop trade networks in the 43rd century CE, when the Romans established Londinium on its shores. Its strategic position along the River Thames facilitated both commerce and defence, and it soon became a key trading hub.
Over time, the city expanded outwards and grew into the cultural, financial and political powerhouse we know today. Its modern development is a unique combination of historical and contemporary, with the City of London’s ancient walls and medieval streets sitting alongside skyscrapers, high-tech offices and iconic landmarks.
Geographically, it is positioned within a temperate maritime climate zone with long summers and mild winters. Its latitude makes it a key port for international trade and the capital of a global culture that attracts people from all over the world to live, work and visit.
This linguistic diversity is reflected in the ancient objects that are available for sale here, from Celtic brooches to Tang Dynasty statues and medieval manuscripts. Many of these are also on display in London’s museums and galleries, proving that artefacts were used for many different purposes in ancient times: from aesthetic appreciation to daily use.
Conservation and Restoration
Antiquities are valuable and precious, but even the most well-cared for artifacts can deteriorate over time. Conservation is the process of using a variety of technical processes to stop or slow down that deterioration. It is a different process than restoration, which aims to return an object or painting back to its original state, such as swapping out modern tires for older ones on an antique bike. Restoration can often result in the loss of historical integrity.
Museum professionals use preventative conservation to minimize and slow down deterioration. This includes storing objects in controlled and stabilized conditions, minimizing exposure to light and humidity, and preventing other contaminants from damaging an object. It is the least invasive form of preservation and does not change an object’s appearance. Preventive conservation is also what keeps museums open for future generations to enjoy.
Restoration, on the other hand, can dramatically change an object’s appearance and is usually performed by conservators who want to restore an artwork or object to its presumed or earlier state of condition. While this is a noble goal, it can often erase the physical historic markers of an object’s use and may damage or degrade other objects and materials.
Selective preservation and restoration is a complicated issue that can have profound political, economic, and cultural impacts. It can be used as a tool for nationalism and empire building, such as Erdogan’s decision to reconvert the Hagia Sophia into a mosque, or to support a particular agenda within a specific historical context, like in the case of Hamilton’s collection of antiquities. It’s important to understand the difference between these terms so that we can make informed decisions about how an antiquities collection should be cared for in the future.
Responsible Stewardship
Antiques serve as tangible links to different eras and cultures, sparking curiosity, admiration and heritage. Their rich historical context transforms a piece of furniture into more than a functional object; it becomes a cherished part of a collector’s cultural legacy. These stories create a connection beyond the item’s monetary value, encouraging stewardship and responsibility.
A detailed provenance can significantly boost an antique’s monetary value. It also adds authenticity and credibility, establishing an item’s integrity. Auction houses and private sales often see higher bids for items with a proven history. This is especially true if the provenance reveals that an item once belonged to a famous historical figure.
Many collectors choose to buy antiques because of their craftsmanship and aesthetic appeal, but the broader impact of an antique’s provenance is significant. It supports responsible consumption and contributes to a circular economy, reducing the demand for resource-intensive new production. Choosing antiques over new items also helps reduce indoor air pollution by avoiding harmful chemicals like formaldehyde and volatile organic compounds, which are frequently found in modern furniture.
As a collector, you have the power to make a difference when it comes to responsible stewardship of your art and antiques. By ensuring that your collection is insured with comprehensive coverage options and proper documentation, you are protecting your cultural, financial, and emotional investment. This will enable you to make informed decisions when it comes to gifting your artwork, selling your art or donating it to family members, and will ensure that you are compensated for the full market value in the event of a loss. Additionally, insurance provides peace of mind and is a requirement for many lenders and exhibition venues.